Research Statement

My excessive attraction to sense the world from the images of patterns, shapes, and structures has been overseen in all my life. This passion for materiality and the aesthetics response has been a driving force in both my artistic practice and my scientific and architectural studies, leading me to embrace the philosophical perspectives of new materialism and post-humanism [1].

As a result of the Morphogenesis project [2]. I am currently engaged in an artistic research endeavor that I aim to contextualize, challenge, and envision diverse possibilities for knowledge construction. This journey seeks to ignite emotional responses, nurture intuitive intelligence, and encourage divergent thinking by exploring spontaneity and breaking down the boundaries between the human body and the material world.

At the core of my work lies an exploration of engagement and the affordance of materials in artistic practice. In essence, I explore the dynamic force field that emerges from the interaction produced between a creator and their hands-on engagement with materials, employing improvisation as a vehicle. Drawing inspiration from the concept of "affordance" first introduced by Gibson [3], I endeavor to uncover new creative avenues. This materiality gives action to stimulate the creative process and expanded understandings of materials and objects and our connection with them...